New York-based composer Stephan Moore engineers his own performance software.
To Build A Field (Deep Listening, 2009) collects dance scores composed
between 2002 and 2008. His electronic montage borders on ambient music in the
ethereal and aquatic Pamela, despite metallic percussion and a children
The cycles of drones of
Wick, on the other hand, are immersed in an industrial wasteland,
The 23-minute Escalation is the least musical and most disjointed
of the pieces here. At times it sounds like an audio documentary of life in the city, exploding in a chaos of videogame-like noises.
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