San Francisco's guitarist Joel Harrison debuted with the ambitious
3+3=7 (1996) for three guitars and three percussionists, but then
wasted his talent on the brief vignettes of Range of Motion (1997)
and the confused hodgepodge of Transience (2001).
After relocating to New York, he continued to alternate off lightweight works
Free Country (2003), a country-music tribute featuring Norah Jones on vocals, Dave Binney on alto sax, violinist Rob Thomas, pianist Uri Caine, and Tony Cedras on accordion, and its follow-up
So Long 2nd Street (2004), not to mention the George Harrison tribute
Harrison on Harrison (2005),
with important and difficult projects such as the post-fusion
Harbor (2007), featuring guitarist Nguyen Le, David Binney, and Jamey Haddad,
The Wheel (2008), a six-movement suite for guitar and
double quartet (string quartet and jazz quartet),
Passing Train (2008) is a collection of songs.
Urban Myths (2009) sounds like a tribute to jazz-rock of the 1970s (including the funky Mood Rodeo).
featuring saxophonist Donny McCaslin, pianist Gary Versace, violinist Christian Howes, cellist Dana Leong, bassist Stephan Crump, and drummer Clarence Penn
is a mixed bag but it contains two of his high-brow compositions:
Grass Valley and Beyond and A Magnificent Death.
Holy Abyss (Cuneiform, 2012) was a collaboration with
Italian bassist Lorenzo Feliciati featuring trumpeter
Cuong Vu, drummer Dan Weiss and keyboardist Roy Powell.
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