Leonardo Art/Science Evening Rendezvous of 12 September 2017

Exploring the Frontiers of Knowledge and Imagination, Fostering Interdisciplinary Networking
San Francisco, 12 September 2017, 7pm
c/o University of San Francisco
Fromm Hall - Berman Room
Chaired by Piero Scaruffi and Tami Spector

The LASERs are a national program of evening gatherings that bring artists and scientists together for informal presentations and conversation with an audience. See the program for the whole series.

Leonardo ISAST and USF invite you to a meeting of the Leonardo Art/Science community. The event is free and open to everybody. Like previous evenings, the agenda includes some presentations of art/science projects, news from the audience, and time for casual socializing/networking.
See below for location and agenda.
Email me if you want to be added to the mailing list for the LASERs.
See also...


Program (the order of the speakers might change):
  • 7:00-7:25: Gregorij Kurillo (Berkeley/ Teleimmersion Lab) on "Human-Centered Modeling for Human-Machine Interaction" Build better assistive devices and optimize interaction between the human and robot... Read more
  • 7:25-7:50: Hsiao-Yun Chu (SFSU) on "TBA" Abstract forthcoming... Read more
  • 7:50-8:10: BREAK. Before or after the break, anyone in the audience currently working within the intersections of art and science will have 30 seconds to share their work. Please present your work as a teaser so that those who are interested can seek you out during social time following the event.
  • 8:10-8:35: Alex Reben (Inventor) on "Digital drugs and humanity in algorithms" The drug-like control that technology has on us... Read more
  • 8:35-9:00: Liat Berdugo (Media Artist) lberdugo@usfca.edu Abstract forthcoming... Read more
  • Discussions, networking You can mingle with the speakers and the audience

Bios:
  • Liat Berdugo is an artist, writer, and curator who studied mathematics and philosophy at Brown University, and design at Rhode Island School of Design. Berdugo has been exhibited in galleries and festivals nationally and internationally, and her book, The Everyday Maths, was published by Anomalous Press in 2013. She is the net art and special programs curator for Print Screen, Israel's international festival of digital art; co-founder and curator of the Bay Area's Living Room Light Exchange, a monthly new media art salon; co-founder and curator of World Wide West, an annual summit, exhibit, and performative new media event, among others. She collaborates widely with individuals and archives. Her work has won several awards, including fellowships at the Hambidge Center, the Vermont Studio center, and a year-long residency in Tel Aviv, Israel, through the Dorot Foundation. Current research projects include a series of works that interrogate citizen video archives in zones of conflict. Specifically, Berdugo has been researching citizen surveillance and counter-surveillance in Israel/Palestine, and writing a series of essays on the politics of visibility in amateur videography. More at liatberdugo.com.
  • Hsiao-Yun Chu is Associate Professor and Graduate Coordinator, School of Design, San Francisco State University. Her interests include design history, user-based research methodology, project-based learning, practice-based research, and the cultural and social implications of design. She is the author of two books on R. Buckminster Fuller and of numerous articles on design and design history. She is also an associate editor with the International Journal of Design. Prof. Chu is the coordinator of the Master's Program in Design at SF State, and the study abroad advisor for incoming students from our six bilateral programs. Ph.D., University of Brighton, Brighton UK; M.S. Eng, Product Design, Stanford University; A.B. cum laude, Harvard University. She published two books: "New Views on R. Buckminster Fuller" (Stanford University Press, 2009) and "Dymaxion Car: Buckminster Fuller" (IvoryPress, 2010).
  • Gregorij Kurillo received B.Sc. (2001) and Ph.D. degrees (2006) from School of Electrical Engineering, University of Ljubljana, Slovenia. From 2002-2006 he was a Research Assistant with the Laboratory of Robotics and Biomedical Engineering with the research focus on the application of human and robotic grasping for rehabilitation of upper extremity. Dr. Kurillo was a Postdoctoral Researcher at University of California, Berkeley, from 2006-2009. Since 2009 he has been Lead Research Engineer at Teleimmersion Lab at UC Berkeley. He is currently also holding a joint appointment as Assistant Researcher at UC Davis Medical School. Dr. Kurillo's research interests include geometric and photometric camera calibration, 3D vision, robotics, technology & healthcare, rehabilitation engineering, tele-medicine, and collaborative virtual reality.
  • Alex Reben explores humanity through the lens of art and technology. His work deals with human-machine relationships, synthetic psychology, artificial philosophy and robot ethics among other topics. Using "art as experiment" his work allows for the viewer to experience the future within metaphorical contexts. His artwork and research has been shown and published internationally and he consults with major companies guiding innovation for the social machine future. Alexander has exhibited at venues both in the U.S. and internationally including The Vienna Biennale, MAK Contemporary Art Museum, The Vitra Design Museum, Ars Electronica, Volta, The Whitney Biennial, CERN, TFI Interactive, IDFA, ArtBots, The Tribeca Film Festival, The Camden Film Festival, Doc/Fest, and The Boston Cyberarts Gallery. His work has been covered by NPR, The Wall Street Journal, The New York Times, Washington Post, Fast Company, Filmmaker Magazine, New Scientist, BBC, PBS, Discovery Channel, Cool Hunting and WIRED among others. He has lectured at TED, SXSW, TTI Vanguard, Google, UC Berkeley, SMFA, CCA, MIT and other universities. Reben is a graduate of the MIT Media Lab where he studied human-robot symbiosis and art. He is a 2016-2017 WIRED innovation fellow and a visiting scholar in the UC Berkeley psychology department.
  • Piero Scaruffi is a cultural historian who has lectured in three continents and published several books on Artificial Intelligence and Cognitive Science, the latest one being "The Nature of Consciousness" (2006). He pioneered Internet applications in the early 1980s and the use of the World-Wide Web for cultural purposes in the mid 1990s. His poetry has been awarded several national prizes in Italy and the USA. His latest book of poems and meditations is "Synthesis" (2009). As a music historian, he has published ten books, the latest ones being "A History of Rock and Dance Music" (2009) and "A History of Jazz Music" (2007). His latest book of history is "A History of Silicon Valley" (2011). The first volume of his free ebook "A Visual History of the Visual Arts" appeared in 2012. His latest book is "Intelligence is not Artificial" (2013). He has also written extensively about cinema and literature. He founded the Leonardo Art Science Evening Rendezvous (LASER) in 2008.

Address and directions:


University of San Francisco
2130 Fulton Street
SF, CA 94117
Fromm Hall - Broad Conference Room
2130 Fulton Street, San Francisco, CA 94117-1080
Fromm Hall is behind the church, best accessed from Parker Ave.


Extended abstracts

Berdugo
Abstract forthcoming


Kurillo

Human movement analysis and modeling provide better understanding of human physical activity and interaction with the environment. With proliferation of new sensing and interactive technologies, the cost of real-time motion capture has been significantly reduced, facilitating new opportunities in health-care, exercise, rehabilitation, human-robot interaction and many others. Our lab is in particular interested in individualized musculoskeletal modeling to understand subject-specific functional capabilities that can be used to improve rehabilitation, build better assistive deices and optimize interaction between the human and robot.


Reben
As technology becomes ever increasingly complex and integrated into our lives, its influence over us increases as well as its tendency to become us. This lecture will describe several experiments investigating the drug like control technology has on us, as well as the inherent humanity within all of it.


Chu
Abstract forthcoming


Photos and videos of this evening