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French ye-ye girl Brigitte Fontaine had a second life as a brainy Arabic-tinged folk-pop-jazz siren, mixing politics and poetry with strings and keyboards
(multi-instrumentalists Areski Belkacem) on albums such as
Comme A La Radio (1969), featuring the Art Ensemble of Chicago,
Incendie' (1971), perhaps the most adventurous,
and Brigitte Fontaine (1972).
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