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Howard Jones was one of the first songwriters to embrace the electronic
keyboards instead of the guitar. He was in many ways an heir to the
generation of the 1960s, to the hippies and the melancholy minstrels, but
his music sounded as modern as Brian Eno's Before And After Science.
New Song and What Is Love are the sugary hits from
Human's Lib (Elektra, 1984).
Like To Get You Know Well and
Things Can Only Get Better are the standout ballads on
Dream Into Action (Elektra, 1985).
No One Is To Blame highlights One To One (Elektra, 1986).
Cross That Line (Elektra, 1989) was too ambitious and ended up
showing Jones' limits as a musician.
Briefly a star, Jones was quickly forgotten as synth-pop took over the
British charts. In the 1990s, Jones released the much humbler albums
Working In The Backroom (Dtox, 1993) and
People (Ark 21, 1998).