Destiny's Child and Beyonce


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Beyonce: Dangerously in Love (2003), 3/10
Beyonce: B'day (2006) , 4/10
Beyonce: I Am Sasha Fierce (2008), 3/10
Beyonce: 4 (2011) , 4/10
Beyonce: Beyonce (2013), 5/10
Beyonce: Lemonade (2016), 4/10
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Destiny's Child, a female rhythm'n'blues group that crossed over into pop and rap, formed in Houston in 1990 when its members were still teenagers (in fact, Beyonce Knowles was nine years old). They established themselved as a major commercial force with a string of singles: Killing Time (1997), No No No, from Destiny's Child (1998), Say My Name and Bills Bills Bills, from The Writing's on the Wall (1999), Independent Women Pt 1 (2000), one of the biggest hits of the era. Following much-publicized internal turmoil, Beyonce wrote most of Destiny's Child third album, Survivor (2001), containing Survivor and Bootylicious.

Beyonce's first solo singles, Work It Out and Crazy in Love (2003), made her a star, despite the mediocre quality of Dangerously in Love (2003).

B'day (2006) was full of disposable songs. The only one that mattered was the colossal hit composed by producer Ne-Yo, Irreplaceable. Her best impersonation was perhaps Ring the Alarm (2006).

I Am Sasha Fierce (2008) contains the bouncy Single Ladies, composed by Terius "The-Dream" Nash, Thaddis "Kuk" Harrell, and Christopher "Tricky" Stewart.

In 2008 Beyonce married rap superstar Jay-Z .

4 (2011) and Beyonce (2013), that sold more than 600,000 copies in the first three days, had no song worth mentioning. Nonetheless, by 2013 she had sold over 100 million "records" (whatever that meant in 2013).

Beyonce (2013) was notable for being as much visual as audio. This was a new step in the marriage of marketing and show business. Drunk in Love was the hit.

The genre-hopping Lemonade (Parkwood Entertainment, 2016) was another attempt to promote her to auteur. An industry artifact with no personality, Beyonce swings between the playful reggae of Hold Up and the gospel hymn Freedom via the piano elegy Sandcastles. Best is probably Don't Hurt Yourself, which is quintessential Aretha Franklin. The collaboration with James Blake yields two of the most boring ballads of his career. All the media hype does little to make this album more than a marketing project. In fact, it's even less musical than Beyonce. She's a mediocre singer and an awful songwriter, and no amount of production work can fully hide that. The accompanying video includes spoken-word interludes of poetry by Somali-British poet Warsan Shire.

Beyonce's younger sister Solange Knowles debuted with Solo Star (2002) but mainly wrote songs for Beyonce until Sol-Angel and the Hadley St Dreams (2008), a work that turned her into a soul-revival star. A Seat at the Table (2016) reached the top of the sale charts with confessional and almost psychoanalytical lyrics. Unfortunately the music was really (really) boring and trivial, which means that she joined the ranks of Beyonce and Rihanna as a leading black pop star.

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(Copyright © 2003 Piero Scaruffi | Legal restrictions - Termini d'uso )
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