Hybryds
(Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso )

Mythical Music From the 21st Century (1986)
The Ritual Should Be Kept Alive Vol1 and 2 , 6/10
Music For Rituals , 6/10
Soundtrack Voor Het Aquarium , 4/10
The Rhythm Of The Ritual , 6/10
The Ritual Of Rave , 5/10
Dreamscapes From A Dark Side , 4/10
Cortex Stimulation , 4/10
Clavis , 4/10
Tectonic Overload , 4/10
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Gli Hybryds propongono un incrocio fra Brian Eno e Dead Can Dance in versione esotica ed esoterica con Music For Rituals (Artware, 1993) e soprattutto con il colossale The Rhythm Of The Ritual (Charnel House, 1994). The Ritual Of Rave (Daft) ricicla invece le stesse idee di world-music cerimoniale cercando di aprirsi a nuove avventure ritmiche. The Hybryds, a male-female duo from Belgium who had already released the limited-edition cassette Mythical Music From the 21st Century (Rioart, 1986 - Triton, 1999) and the two parts of The Ritual Should Be Kept Alive (Rioart, 1991 and 1992), were revealed in the vein of Dead Can Dance by the exotic, exoteric, electronic Music For Rituals (Artware, 1992) and, after the relaxing, new age music of Soundtrack Voor Het Aquarium (Antwerp Zoo, 1993 - Daft, 1995), topped that achievement with the colossal The Rhythm Of The Ritual (Charnel House, 1994). The Ritual Of Rave (Daft, 1995) modernized that idea of cerimonial world-music.

Dreamscapes From A Dark Side (Daft, 1996), Cortex Stimulation (Daft, 1996) and Clavis (Old Europa Cafe, 1997), a collaboration with Nebulon, are minor works that indulge in their worst excesses.

Ein Phallischer Gott (Crowd Control Activities, 1997) is a collection of leftovers from 1986-1996.

Oniro (World serpent, 1997) is the first solo album from Yasnača.

Tectonic Overload (Antzen, 1998) is a concept album based on samples and topics borrowed from the film "Johnny Mnemonic". The tracks are orgies of polyrhythms but not very inventive.

Virtual Impact (Daft, 1999) is a live album.

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