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New Zealand's electronic musician Rosy Parlane,
a member of Thela with Dean Roberts and Dion Workman,
focused on noisescapes for digital melodic drones, an art that he refined via
the tentative #1-4 (Sigma Editions, 1998), containing seven untitled pieces that sounded like mere experiments,
and the six meditations of Getxo (Sigma, 2001).
The mature accomplishments of his career were
the languid and cinematic three-movement symphonies Iris (2004) and
Jessamine (Touch, 2006) that emanated a sense of calm and harmony
made more humane by an underworld of microscopic events.
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