the project of San Francisco-based engineer Brandon Nickell, employed software of his own design to animate The Helical Word (Isounderscore, 2005), a work that was emblematic of the advent of austere, erudite and high-brow noise; while Maw (Isounderscore, 2007) explored the concept of ambient music for the glitch generation, or industrial music for the age of abstract digital soundsculpting
The collaboration Aemae/ Arastoo (Isounderscore, 2008) turned to
piano-based ambient glitch music and piano-based musique concrete.
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