Mitchell Akiyama


(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )

, /10
Links:

Canadian electro-acoustic composer Mitchell Akiyama initially worked on other people's music. Hope That Lines Don't Cross (2001) used music by Vladislav Delay and Pole to create its own glacial soundscape. Temporary Music (Raster, 2002) used Mathieu and Oval as sources. His digital deconstruction of acoustic instruments yielded the glitchy ambient music of the mini-album If Night is a Weed and Day Grows Less (Sub Rosa, 2004) and of Small Explosions That Are Yours To Keep (Sub Rosa, 2005), that manipulated his own live acoustic instruments. Mort Aux Vaches (Staalplaat, 2005) offered gentle ambient music created by digitally processing his own live guitar playing.

Tetuzi Akiyama also formed Satanic Abandoned Rock & Roll Society to record the 52-minute piece of Bloody Imagination (september 2004).

(Translation by/ Tradotto da xxx)

Se sei interessato a tradurre questo testo, contattami

(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )
What is unique about this music database