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Oregon's
Blitzen Trapper
debuted with a humble collection of rural vignettes, Blitzen Trapper (2003). However,
Field Rexx (Lidkercow, 2004) enchanced their
Wilco-style country-pop (Asleep For Days) with all sorts of stylistic
detours.
Wild Mountain Nation (Lidkercow Ltd, 2007) made the stylistic detours
the whole point of the music. Thus the center of mass was not to be found in
the country-pop of Summer Town or Country Caravan, but in the
eccentric Futures & Folly, in the sprightly Devil's A-Go-Go, in
the vibrant Miss Spiritual Tramp, in the
violent Woof & Warp of the Quiet Giant's Hem and in the psychedelic
Hot Tip/Tough Cub.
Having removed most signs of musical genius,
Furr (Subpop, 2008) quietly relaxed in the routine of folk-rock and country-rock of the 1970s with a parade of faceless ballads
(Not Your Lover,
Lady on the Water,
Black River Killer,
War on Machines,
Stolen Shoes & a Rifle) rescued by the one moment of
power-pop verve, Sleepytime in the Western World.
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