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Cadence Weapon, the moniker chose by
Western Canada's white rapper Rollie Pemberton utilized
a broad (and still cohesive) palette of beats (from electro to techno) and virtuoso claustrophobic studio arrangements (from samples to scratching) on
Breaking Kayfabe (Upper Class, 2005).
Afterparty Babies (2008) was still dense and busy, but perhaps indulged
too much in sound effects for the sake of indulging in sound effects, while
restraining the rhythmic variety of its predecessor (basically, all the tracks
are variations and deconstructions of house music).
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