Maisie
(Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso )
The Incredible Strange Choir Of Paracuwaii (1999), 6.5/10
Do You Remember When You Found Your Lud in My Nostril? (2000), 6.5/10
Music is a Fish Defrosted with a Hair Dryer (2002), 6/10
Bacharach for President (2003), 6/10
Morte A 33 Giri (2005)
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Maisie (Italian duo Alberto Scotti and Cinzia LaFauci) penned the dissonant and cartoonish divertissement The Incredible Strange Choir Of Paracuwaii (1999) under the aegis of Frank Zappa and Dada.

Do You Remember When You Found Your Lud in My Nostril? (2000) is another post-modern container of stylistic debris, a merry-go-round of distorted echoes of the consumer age.

After Music is a Fish Defrosted with a Hair Dryer (2002), a rendition of new Maisie compositions by the French avantgarde collective (reeds, keyboards, percussion) led by Falter Bramnk (Frank Lambert), a revisitation of poulist jazz fanfares and easy-listening muzak in the manner of progressive-rock (Dick Smart, Uxoricide Waltz, Las Momias) and a few cacophonous gags (Mr Clam Is Still Missing, Sadist of Notre Dame), the more ambitious Bacharach for President (2003) sounds like a summary of American B-music, i.e. the music of underground musicians, of the last 30 years.

Morte A 33 Giri (2005) was recorded by a quartet.

(Translation by/ Tradotto da Salvatore Campolo)

I Maisie (duo italiano formato da Alberto Scotti e Cinzia La Fauci) compongono The Incredible Strange Choir Of Paracuwaii (1999), un dissonante, dadaista divertissement da cartoon, influenzato da Frank Zappa.

Do You Remember When You Found Your Lud in My Nostril? (2000) è un’altro contenitore post-moderno di frammenti stilistici, una giostra di echi distorti dell’era consumistica.

Music is a Fish Defrosted with a Hair Dryer (2002) contiene nuove composizioni dei Maisie, interpretate da un collettivo francese d’avanguardia (fiati, tastiere, percussioni) guidato da Falter Bramnk (Frank Lambert). Dopo questa rivisitazione delle fanfare jazz populiste e dell’easy listening alla maniera del progressive rock (Dick Smart, Uxoricide Waltz, Las Momias) e alcune gags cacofoniche (Mr Clam Is Still Missing, Sadist of Notre Dame), il più ambizioso Bacharach for President (2003) suona come una summa della musica americana di serie B e dell’underground degli ultimi trent’anni.

(Copyright © 2003 Piero Scaruffi | Legal restrictions - Termini d'uso )
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