Navicon Torture Technologies


(Copyright © 2010 Piero Scaruffi | Legal restrictions - Termini d'uso )

Theologian: The Further I Get From Your Star, The Less Light I Feel On My Face (2010), 6/10
Theologian: The Chasms Of My Heart (2012), 7/10
Theologian: Finding Comfort In Overwhelming Negativity (2012), 6.5/10 (EP)
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Navicon Torture Technologies, a highly prolific industrial-music project originated by Leech (Lee Bartow), churned out facile noise symphonies such as Power Romance (2001), I Fucking Hate You All And I Hope You All Fucking Die (2001), Scenes From The Next Millennium (2001), The Church Of Dead Girls (2002), Dripping With The Power Of Her Flesh (2003), All I Want To Hear Is The Sound Of My Own Heart Stopping (2004), Pure Skin (2006), VTERVS (2008), and The Gospels Of The Gash (2009).

Leech also contribute a 20-minute untitled piece to a split with Thou, We Pass Like Night From Land To Land (Gilead Media, 2010).

Then Leech launched the much more creative project Theologian with The Further I Get From Your Star, The Less Light I Feel On My Face (Crucial Blast, 2010), an experiment in gothic ambient music that contains the 24-minute In Times Of Need We All Go Against Our Natures. The project continued with The Chasms Of My Heart (Crucial Blast, 2012), a more austere collection that includes the 14-minute droning muezzin-invoked Dante-esque overture Abandon All Hope, the aggressive syncopated industrial dance We Can't All Be Victims, the 13-minute ambient trance of Every Road Leads To Abandonment, the pseudo-techno vision of The Chasms Of My Heart, and the massive eleven-minute circular drones turning into hyper-distorted tribal dance of My Body Is Made Of Ash I Live As Ash, like vintage Chrome jamming with prehistoric cannibals while being skinned alive. The EP Finding Comfort In Overwhelming Negativity (Handmade Birds, 2012) adds at least two impressive achievements: the eleven-minute All I See is You, a relentless organic vibration, a sort of faster more feeble Suicide (unfortunately sabotaged by a much weaker second half), and the pounding delirious Finding Comfort In Overwhelming Negativity, rising to a demonic scream and a percussive trance comparable to the Velvet Underground's Sister Ray.

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(Copyright © 2010 Piero Scaruffi | Legal restrictions - Termini d'uso )
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