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Santa Cruz's wildly psychedelic
Residual Echoes
(the brainchild of guitarist Adam Payne)
were the most extreme heirs of the Comets On Fire with a freak-out that bordered on Japanese noisecore and chaotic free-jazz, feeding on extreme shrieking and/or extreme distortion, as documented by
Residual Echoes (Holy Mountain, 2004), containing Beginning And Slant (13:32) and The Diamond Drops (11:48),
Phoenician Flu and Atlantic Ocean (Holy Mountain, 2005), containing Death Comes For The Archbishop,
Mfi-Gbsp (Rocket, 2005) ,
and California (Holy Mountain, 2006), containing the 12-minute White Cloud
and the four-movement suite California Creek Suite.
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