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The stark, exuberant and propulsive organ-driven rhapsodies
unleashed by Finnish quartet
Shogun Kunitoki
on the all-instrumental
Tasankokaiku (2006)
occupied a niche in between
Neu's "motorik" rhythm and Steve Reich's "minimalist" pulsation.
Vinonaamakasio (Fonal, 2009) repeated the exploit with the same tools
and more energy.
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