New York-based composer
Mario Diaz de Leon (USA, 1979) specialized in
chamber works for acoustic instruments and electronics.
Enter Houses Of (Tzadik, 2009) featured expressionistic free-form
soundscapes for synth and guitar, notably Mansion for multitracked flute,
distorted synthesizer, hissing noise and percussion, while the
synth-heavy Hypnos (Shinkoyo, 2012) opted for a subtle integration of
noise and dynamics.
Hypnos (Shinkoyo, 2012) was a radio-friendly version of his experiments.
The fluttering electronic patterns of Oneirogen soar in a heroic
Vangelis-like melody. The lush, pulsing cosmic music
of Faithless sinks in dense sinister noise.
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