Swedish sextet Ghost (NOT the great Japanese band
Ghost) indulged in
Satanic themes inspired by the glorious black-metal school of Scandinavia on
Opus Eponymous (Rise Above, 2010), but their mediocre
skills and non-existent inspiration were
hardly capable of matching its achievements.
The litanies of the album constitute not much of an improvement over
Aphrodite's Child's 40-years old 666
or Blue Oyster Cult.
This music wouldn't scare a two-year-old child.
The best moment comes perhaps with the
Yes-style instrumental closer Genesis.
This debut was followed by the even more commercial Infestissumam (2013).
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