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Australian digital musician
Philip Samartzis
set
the very background noise that sound engineers
try to remove from a recording (tape hiss, vinyl crackles, electrical buzzes,
radio interference and so on)
against a vast stark backdrop of unnerving silence.
His recordings included:
Residue (1998), containing three experiments of musique concrete;
the 39-minute piece of Windmills Bordered By Nothingness (Dorobo, 1999);
Transparency (2001), documented on the compilation Immersion (2006);
Artefact (2002), a collaboration with Sachiko M;
Dance (2002), a collaboration with Yamamoto Seiichi;
the 18-minute Microphonics, off the compilation Grain (2003);
the six untitled movements of Soft And Loud (Microphonics, 2004);
Strange Love (2004), a collaboration with Oren Ambarchi and Guenter Mueller;
Wireless_Within (For 4 Ears, 2005), a collaboration with Gunter Mller and Voice Crack.
Unheard Spaces (Microphonics, 2006) was a detour into alteatory and improvisational music (Absence And Presence) and into concrete collage (Unheard Spaces).
Scheckenrock (2009) was a collaboration with Michael Vorfeld.
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