7.0 Lola (1961) 7.0 The Umbrellas of Cherbourg (1964) 6.8 Les Demoiselles de Rochefort/ The Young Girls of Rochefort (1967) | Links: |
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Jacques
Demy (France, 1931) debuted with the poetic neorelism of
Le Sabotier du Val de Loire (1956).
Lola (1960) affermò il suo stile sfumato con una commedia-balletto ispirata a Ophuls in cui una ballerina dei bassifondi ritrova il padre di suo figlio, diventato ricco, che la sposa. Sul tema (i giochi d'amore) Demy compose diverse variazioni, tutte contraddistinte da finezza di stile, tenero romanticismo, in bilico fra sogno e realtà, tentando sovente la carta del musical a partire da Les Parapluies de Cherbourg/ The Umbrellas of Cherbourg (1964), musicato da Michel Legrand. The other musical Les Demoiselles de Rochefort/ The Young Girls of Rochefort (1967) was basically a parody of West Side Story, but perhaps more creative. La Baie des Anges/ The Bay of Angels (1962) about a female gambler seducing a naive young bank clerk. L'Evenement le plus Important depuis que l'Homme a Marche sur la Lune/ A slightly Pregnant Man (1973) is a satirical farce. Model Shop (1969) is centered around a gorgeous model who lives in Los Angeles, possibly the former prostitute Lola, now stalked by a devoted student architect. Peau d'Âne/ Donkey Skin (1970) The Pied Piper (1972) L'Evenement le plus Important Depuis que l'Homme a Marche sur la Lune/ A Slightly Pregnant Man (1973) Lady Oscar (1979) Demy returned to the musical with Une Chambre en Ville/ A Room in Town (1982). Parking (1985) La Table Tournante/ The Turntable (1988) Trois Places pour le 26/ Three Seats for the 26th (1988) was his final musical, composed by Michel Legrand, in which Yves Montand plays himself as a star for whom a musical revue (about himself) has been conceived. During the rehearsals the main actress turns out to be Montand's illegitimate daughter. Demy died in 1990 |