6.8 Sol Svanetii/ Salt for Svanetia (1930) 6.5 Vernye Druzja/ True Friends (1954) 7.0 Letjat Zuravli/ Cranes are Flying (1957) 7.0 Neotpravlennoye Pismo/ The Letter That Was Never Sent (1960) | Links: |
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Mikhail Kalatozov (1903) iniziò a girare negli anni '20 e nel
1930 realizzò uno dei migliori documentari romanzati dell'epoca,
Sol Svanetie/ The Salt of Svanetia, feroce
affresco della miseria contadina del Caucaso degno del coevo Buñuel.
L'eccessivo sperimentalismo
fotografico e tematico gli alienò però le simpatie delle autorità culturali.
Muzhestvo/ Courage (1939) and Valeri/ Chkalov (1941) were popular films about pilots. Nepobedimye/ The Invincible (1942) was codirected with Sergei Gerasimov. Durante la Seconda Guerra Mondiale fu console a Los Angeles e al ritorno in patria svolse mansioni burocratiche a Tiflis. Zagovor Obrechyonnikh/ Conspiracy of the Doomed (1950) Vikhri Vrazhdebnye/ Hostile Whirlwinds (1953) Pervyy Eshelon/ The First Echelon (1955) Tornò alla regía nel 1950 e già nel 1954 diresse Vernye Druzja/ True Friends, una commedia che ridendo e scherzando attacca i burocrati autoritari e dogmatici. Letyat Zhuravli/ The Cranes Are Flying (1957), adapted from Viktor Rozov's play "Vechno Zhiviye", è un melodramma totalmente alieno dagli schematismi ideologici del periodo staliniano. Mark's squalid nature comes out when he visits the usual pub (where people party while soldiers die) and takes Veronica's squirrel to bring as a birthday present for the local prostitute. They find Boris' birthday note (that Veronica never found) hidden inside the toy. When Veronica learns that Mark has taken her squirrel, she runs to the pub, takes the squirrel and reads the note. She slaps her husband repeatedly in the face. Mark's boss asks Boris' father for a favor in return for the favor he did for him, but Boris' father doesn't remember asking for any favor: it was Mark who obtained the exemption from going to war by pretending that it was a favor asked by his uncle. He lied to both of them, and avoided the draft. His uncle confronts him in front of Veronica. The evil Mark has no choice but to leave the house. Veronica is still hoping that Boris will come back. But one day a soldier comes to bring the news of his death. Veronica still hopes. She loses all hope only when the war ends and Boris' best friend comes back. Then she accepts Boris' death. She had prepared a bouquet of flower in case Boris showed up alive. In a socialist-patriotic ending that is nonetheless moving, while the crowd is celebrating the heroes returning from the front, she hands out a flower to each of them. Kalatozov potè finalmente dar luogo alle sue ricerche formali, che privilegiavano i primi piani e si servivano massicciamente del montaggio. Pur nei suoi limiti calligrafici e patetici, il film aprì un filone nuovo della cinematografia sovietica, quello dei sentimenti piccolo- borghesi sullo sfondo dei grandi sconvolgimenti storici. Neotpravlennoye Pismo/ The Letter That Was Never Sent (1960), un esercizio virtuosistico sull'uso della camera, pone invece gli uomini di fronte alla imponenza della natura: tre uomini e una donna alla ricerca di diamanti in Siberia muoiono uno dopo l'altro nell'impari lotta. Ya Kuba/ I Am Cuba (1964) Krasnaya Palatka/ Red Tent (1969) rievoca la spedizione di Umberto Nobile al Polo; anche qui la grandiosità degli scenari prende la mano al regista. Mikhail Kalatozov died in 1973. |
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