Ki-duk Kim (Korea, 1960)
studied and worked as a street painter
Crocodile (1996) is the powerful and brutal psychological portrait of a sociopath.
Wild Animals (1997) is set among Korean immigrants in Europe,
and Birdcage Inn (1998) deals with prostitution.
Real Fiction (2000), shot in real time
in different locations (with ten 35mm cameras and 10 digicams),
is superficially a revenge movie but in practice a hallucinated puzzle.
Seom/ Island (2000) artsy porno-horror
Suchwiin Bulmyeong/ Address Unknown (2001) is a realistic drama.
Nabbeun Namja/ Bad Guy (2001)
Haeanseon/ The Coast Guard (2002)
Bom Yeoreum Gaeul Gyeoul Geurigo Bom/ Spring Summer Fall Winter and Spring (2003) is a zen parable, a sort of cinematic koan made of many cinematic koans.
A gate opens and reveals a small building in the middle of a quiet pond,
surrounded by green hills. A middle-aged monk is praying. He wakes up a
child, who is his pupil and his only company. He cleans the floors and then
set out with the child to go look for herbs. They row to shore and the child
climbs a giant Buddha head to look at the pond. Left alone, the boy
child plays with animals around the lake. His masters watches over him as
the child tortures a fish, a snake and a frog, tying a stone to them so that
they cannot move anymore. At night, the master ties a stone to the back
of the child who is asleep, and in the morning he tells the child to go
and free the animals. The child finds that two of the animals are dead
and cries. The master tells him that his heart will carry their stones for
the rest of his life.
Summer. The gate opens. The boy is now a strong young man. He is watching
the misty view from the giant Buddha head when he sees two females approaching
on the trail. The mother is taking her shy daughter to the master because
the girl is ill. The mother leaves the girl with the master. The boy is
disturbed by the young attractive girl. His instinct awakes when he sees
her undressing. He tries to touch her while she's sleeping. He tries in vain
to quell his lust. Eventually, they make love. They make love even in
the temple, when the master is asleep. The sex heals her. One morning he finds
them sleeping naked in the boat. The boy asks for forgiveness, but the master
says that it was the right medicine for the girl. Except that now the girl
has to go back to her life. But the boy is really in love, and can't live
without her. So one night he takes a small Buddha statue from the temple
and leaves the master.
Autumn. The master sees an article in an old newspaper: the boy has killed his
wife and has escaped. Sure enough, he shows up, angry and violent, but also
brings back the Buddha statue. He killed
her because she cheated on him. He can't understand why she betrayed him.
He is so desperate that he even tries to kill himself. The master beats
him for trying to kill himself, not for killing her. Then the master writes
a long series of characters on the floor and asks the youth to carve them
into the wood: it will help quell the anger. As the young man is at work,
two police officers arrive with a warrant to arrest him. The young man
is ready to fight, but the master tells him to continue his work.
The master asks the police officers to allow him to finish the carving:
it will take the whole night. The whole night the young man works carving
the characters into the wood of the floor. The police officers become
supportive: one holds the candle for him, and another one lays a jacket on
him when, having completed his work, he falls asleep. In the morning the
master begins painting the characters, and even the police officers help
them paint. When the work is completed, the police officers take the
youth away, and they don't need to use any force: his anger is gone.
The master waves goodbye (the boat doesn't move until the youth turns
and responds). Then he prepares a pire on the boat and sets himself
to fire. As his body is engulfed by the flames, a water snakes crawl
on the floor of the monastery and into the temple (his reincarnation?)
Winter. The gate opens to reveal a winter landscape. The lake is ice,
the temple is covered with snow. Only the snake lives in the temple.
A man comes and takes possession of the temple: obviously, he has been released
from jail and has come to take his master's place. He digs up from the ice
of the lake the ashes of his master and builds a Buddha of ice to hold them.
Then he restores the place and becomes the new master. A mother (whose head
is covered) brings a child to the monastery and leaves at night after
praying. She stumbles into a hole and drowns. In the morning, the man
finds her corpse. He uncovers her face and is shocked (another
of his?) He ties a huge stone at his back (like the animals he used to
torture) and carries a Buddha statue to the top of the mountain. He reaches
the top as the sun rises and the temple appears in the middle of the lake.
The gate opens. It is spring: the ice has melted. The new master and the child
now have a turtle. The child plays with the turtle and tortures it...
(Translation by/ Tradotto da Marco Spagnuolo) |
Estate, Autunno, Inverno e Ancora Primavera(2003) e’ una parabola zen, una sorta di Koan
cinematica composto di molti Koan cinematica.
Primavera: Un cancello si apre e rivela una piccola costruzione
al centro di un tranquillo laghetto, circondato da verdi colline. Un monaco di
sta pregando. Va a svegliare un ragazzino, che e’ il suo pupillo e il
suo unico compagno. Il monaco spazza i pavimenti e poi si incammina fuori
insieme al ragazzino per cercare delle erbe. I due remano fino alla riva
opposta e il ragazzino salta su una testa gigante del Buddha per guardare dall’alto tutto il laghetto. Lasciato
solo, il ragazzino gioca con gli animali che vivono intorno al lago. Il suo
maestro lo segue vedendo che il ragazzino si diverte a torturare gli animaletti
del lago, un pesce, un serpente e una rana, li tortura legando loro un filo che
è a sua volta lega ad una pietra, in modo tale da non farli muovere piu’. Durante la notte, il monaco lega un masso alla
schiena del ragazzino mentre costui dorme, il mattino
seguente il monaco chiede al suo pupillo di andare a liberare gli animali. Il
ragazzino scopre che due animaletti sono morti e comincia a piangere. Il
maestro gli insegna che quelle pietre che lui ha
legato agli animali saranno le pietre che il suo cuore dovra’
portare per tutta la sua vita.
Estate: Il Cancello si apre. Il ragazzo ora e’ diventato un
robusto e giovane uomo. Sta guardando il panorama nebbioso stando sopra la testa gigante del Buddha quando
egli scorge due donne che si stanno avvicinando al piccolo molo. La madre sta
parlando della sua giovane figlia al maestro, perche’
lei e’ malata. La madre lascia la figlia alle cure del maestro. Il ragazzo e’
spazientito dalla presenza, per lui nuova, di questa giovane e attraente
ragazza. Il suo istinto riemerge quando la vede
svestita. Tenta di toccarla mentre sta dormendo. Egli
prova in vano a controllarsi. Alla fine , fanno
l’amore. Fanno l’amore anche nel tempio, quando il maestro dorme. Il sesso l’ha
guarita. Una mattina il maestro trova i due giovani che dormono nudi nella
barca. Il ragazzo cerca il perdono del maestro, ma quest’ultimo dice che il
sesso era la giusta medicina per la ragazza Eccetto che ora la ragazza deve
tornare alla sua vita, e deve lasciare la casa del maestro. Ma il ragazzo e’
innamorato, e non puo’ vivere senza di lei. Cosi’ una notte egli prende una statuetta del Buddha dal tempio e lascia il maestro e la sua casa.
maestro vede un articolo su un vecchio giornale: il ragazzo ha ucciso sua
moglie ed è fuggito. Il ragazzo e’
tornato dal maestro in uno stato di inquietudine rabbia e disperazione, ma ha
anche riportato la statuetta. Egli ha ucciso sua moglie perche’
lei lo ha imbrogliato. Non riusciva a capire perche’
lei l’ho odiasse cosi’
tanto. Egli e’ cosi’ disperato che ha anche tentato
di togliersi la vita. Il maestro l’ho rimprovera non per aver ucciso, ma per
aver tentato di suicidarsi. Allora il maestro comincia disegnare vari simboli sul pavimento
della sua casa e gli chiede di incidere tutti quei segni nel legno: questo
avrebbe aiutato a sbollire la rabbia. Mentre il ragazzo sta cominciando ad
incidere , arrivano due poliziotti con un mandato di
cattura. Il giovane e’ pronto a combattere i due poliziotti, ma il maestro gli
ordina di continuare il suo lavoro. Il maestro chiede ai due poliziotti di
permettergli di finire di incidere: il lavoro coprira’
l’intera notte. Anche i due poliziotti lo sostengono: uno di loro gli mantiene
la candela per dargli visibilita’ durante la notte,l’altro gli mette addosso la sua giacca per riscaldarlo, a
lavoro compiuto, cade sfinito a terra.. La mattina seguente il maestro comincia
a colorare i simboli incisi, e anche i due poliziotti danno una mano. A lavoro
compiuto, i due portano il giovane via con loro ma non
hanno bisogno di usare la forza: la sua rabbia e’ sparita. Il maestro fa un
cenno con la mano in segno di addio (la barca non si muove fino a che il ragazza non si volti e risponda). Poi il maestro sale
sulla barca e si da fuoco. Mentre il corpo e’
circondato dalle fiamme, un serpente d’acqua striscia fuori
dal pavimento del monastero fin dentro il tempio(la sua
cancello si apre e rivela un paesaggio innevato. Il lago e’ ghiacciato, il
tempio e’ coperto di neve. Solo il serpente vive nel tempio. Un uomo arriva e
prende possesso del tempio: ovviamente, egli ha scontato la sua pena e va
prendere il posto del suo maestro. Egli rinviene nel ghiaccio del lago le
spoglie del maestro e costruisce un urna del Buddha per conservarle. Poi egli sistema di nuovo il tempio
e diventa il nuovo maestro. Una madre(che ha il capo coperto) porta un bambino
al monastero e riparte la notte dopo aver pregato. La donna inciampa in una
buca del lago ghiacciato e affoga. Di primo mattino, l’uomo scopre il corpo. Le
scopre il viso e rimane scioccato (un altro lui?). Egli lega una grossa pietra
alla sua schiena(come fece con gli animali da ragazzino) e porta una statua del
Buddha in cima al monte. Raggiunge la sommita’ mentre
il sole si sta levando e il tempio appare al centro del lago. Il cancello si
apre. E’ primavera: il ghiaccio si e’ ormai sciolto. Il nuovo maestro e il
ragazzino ora hanno una tartaruga. Il ragazzino gioca con la tartaruga e la
Red Family (2003)
Bin-jip/3-Iron (2004) is three films into one: first a realistic
depiction of a lonely boy in alienating suburbia; then a
melancholy Chaplin-ian comedy in which two lonely souls fall in love and
flee together; then a horror story imbued with magical realism.
The protagonist is silent and later even invisible. He lives in other people's
homes and briefly tries to live their lives but he is
not a thief: he is simply a homeless person who is good at breaking into
He literally makes their homes his because he even washes the floors
(or does so as repayment).
It's a game of adopted identities. We don't really know what this boy likes,
what his hobbies and interests are.
The female protagonist, on the other hand, has the best of homes, but is
unhappier than him because she had to pay a price for that home, the price
of an abusive husband.
Posters of her appear over and over again, to emphasize that she is famous
and the boy is poor, she is somebody and he is nobody.
When she meets him, however,
she can finally communicate with someone who, like her, has chosen not to speak.
At the end she's the only one who can see Tae-suk: he cannot free her but she
can return to her old life imagining that he's with her all the time.
A young man on a motorbike posts fast-food fliers on the doors of apartments
and houses. His motorbike obstracts a businessman who is trying to get out
of his garage. The young man seems to live alone in the room of an average
apartment. He takes pictures of himself and of the furniture. Then the door
opens nd a family enters. They are coming back from a trip and the wife is
exhausted and angry at her husband. We realize that the young man is nowhere
to be found anymore. He now enters a mansion that appears to be deserted
and whose doors have been left open. He cooks, cleans, washes clothes.
He doesn't realize that a young woman is spying on him. He even
takes a bath, and still doesn't see her. Her angry husband
keeps calling and leaving messages on the answering machine.
The young man slips into her bed and masturbates watching pictures of her:
she must be a fashion model because there are posters on the walls.
She opens the door of the bedroom and the young man, startled,
finally sees her and leaves the house. She doesn't say a word, he doesn't
say a word. Bruises on her right cheek reveal that she's a battered wife.
She finally picks up the phone and simply screams at her husband.
The young man leaves on his motorbike but then comes back.
She's crying in the bathtub. Her husband comes home and has a violent
argument with her.
The young man listens unseen.
The husband beats the woman because she doesn't want to make love to him.
The young man makes himself visible playing golf outside. The businessman
rushes outside to face the intruder and calls the police
The young man aims golf balls at his genitals and the man collapses to the
ground. She stares silently from inside.
The young man turns on his motorcycle and waits.
The girl walks out of the house and gets on the back seat. They leave together.
Tae-suk, the lonely boy, and Sun-hwa, the battered wife, spend hours at a
park, practising shooting golf balls across the highway to office buildings.
Not a word is exchanged. She helps him deliver fliers. Later they
walk into an apartment that has pictures of her.
Now she cleans the bathroom, washes clothes, just like he did in the previous
In the morning he serves her breakfast.
Not a word is exchanged. The apartment belongs to a boxer.
Tae-suk takes pictures of himself in front of a poster of him.
It becomes apparent that this young man is homeless and simply stays in
any place that he knows to be temporarily empty because the family did not
pick up the flier. He doesn't steal anything and even cleans up the place.
He only takes pictures of himself in each place that he "borrows" for a night.
This time the trick doesn't work. The family comes back and finds the odd
couple asleep in their bed. The boxer beats up Tae-suk. His wife confirms that
nothing has been stolen.
During the day Tae-suk practises again with golf balls but this time one
accidentally breaks the windshield of a car and blinds the passenger.
He cries, ashamed.
Again, she helps him distribute leaflets and then they
breaks into another home. They kiss but not a word is exchanged.
Eventually they enter a place where the flyer has not been picked up for
days but the occupant is there, except that he is dead, lying on the floor
next to his dog.
Tae-suk and Sun-hwa wrap up the body respectfully and give it a proper
burial. Then they install themselves in his apartment.
They try to call the relatives but they are out on vacation.
The relatives later realize that there was a call from that place and
call to find out if the old man is ok. This time
Tae-suk and Sun-hwa don't pick up. Therefore the relatives rush to the
building and enter the apartment. Finding the two intruders and not their
father, they call the police. Arrested,
Tae-suk and Sun-hwa still refuse to talk.
The police detective sees in Tae-suk's camera that he broke into other homes
The detective beats him up until he somehow
(we don't hear it)
reveals what he did with the dead man's body.
The police dig up the body in front of the distraught relatives.
They all think that Tae-suk killed the old man, but soon it becomes clear
that nothing was stolen, the man died of lung cancer, and the intruders took
good care both of the corpse and of the apartment.
The police find out who she is and calls her husband at the mansion.
The husband who grabs two golf balls before heading for the police station.
The woman follows her husband without saying a word. The husband throws the
golf balls at Tae-suk but missing him.
Back in the mansion Sun-hwa refuses to talk to her husband and refuses to
be touched. He is bitter than she doesn't want him and that she had sex with
Tae-suk. He bribes the police chief to deliver the boy handcuffed in a
deserted location and then proceeds to shoot golf balls at him. Tae-suk
cannot defend himself. When the jealous husband leaves and the chief approaches
to mock him, Tae-suk tries to strangle him. Thus he
ends up in jail. Here he begins an odd game with the guard on patrol:
he hides in more and more sophisticated manners, forcing the guard to enter
the cell. Each time the guard beats him more furiously.
And each time he smiles at the guard.
Apparently Tae-suk has Buddhist superpowers and can climb like a spider.
Sun-hwa is devastated. She walks into one of the homes that they had broken
into and just lies down on the couch and sleeps,
while the loving couple stares at her.
Later Sun-hwa thanks them and walks away.
Tae-suk hides one more time and this time he
beats up the guard who barely has time to lock the door. Tae-suk is taken
away by the guards and it is not clear whether to be punished or to be released.
Someone attacks the detective with golf balls in an underground parking garage.
The phone of businessman rings: the police inform him that Tae-suk
is out of prison (released or escaped?)
Now a ghost begins to wander around the houses where Tae-suk stayed with
Sun-hwa: the boxer's, the loving couple's, the dead man's, etc.
The owners can sense his presence but cannot see him.
Finally at night the ghost enters the mansion of the businessman.
Like all the others he too sense his presence.
Tae-suk appears behind her and she finally speaks: "I love you". Her husband
thinks she said it to him, when in fact she's speaking and smiling to the
ghost of Tae-suk behind him.
Sun-hwa even kisses Tae-suk while hugging her husband.
The following monrning she cooks breakfast and the husband thinks it's for
him not realizing that Tae-suk is standing behind him and eating the same
breakfast. The husband is puzzled why she's suddenly so happy.
When the man leaves for work, the two lovers make love alone in the house.
Dream or real?
Samaria/ Samaritan Girl (2004)
is a crudely realistic drama.
Hwal/ The Bow (2005)
(Translation by/ Tradotto da xxx) |
Se sei interessato a tradurre questo pezzo, contattami
Shigan/ Time (2006) is a mad love story about an obsessed woman,
a pathological case of a woman who cannot get enough love.
It is also a thriller of sorts. After she changes her face,
we sense her presence, we suspect she's behind strange events;
every time he meets a new girl we wonder if she's the one who had cosmetic
surgery. Then the thriller is over and we're back into paranoia territory.
The woman is subject to fits of split personality during which she can't
possibly be happy because she painted her two personalities against each other:
either he loves one or the other, and therefore the other or the one feels
betrayed. She has created the doppelganger who haunts her.
Then the film becomes a thriller again, as the man does the same thing:
he creates his own doppelganger, who hides from her. It is also a story
of cruel revenge, as the man now wants the woman to feel what it feels like
not to know who is whom.
By the end, it has become a philosophical meditation on the topic of identity,
as the woman screams "Who are you?" at just about every man in the street.
A woman is undergoing cosmetic surgery (shown in all its gorey glory).
When she walks out, her new face still invisible behind dark glasses and
bandages, a young girl who is distrated by her phone crashes into her and
breaks her portrait. The woman walks away while the girl promises to come
back and fix the portrait. When the girl comes back, she picks up the portrait
and heads for the cafe where she has an appointment with her boyfriend
is a madly jealous girl, who starts yelling at the waitress and then
makes an embarrassing scene in front of two attractive girls.
At home she admits that she is crazy. She tries to get him excited with
oral sex but he doesn't. Then she tells him to think of another woman and
he gets turned on. Then of course she starts crying of jealousy.
The following day the girl has disappeared: she moved out of her apartment
and she canceled her phone number. He looks in vain for her. Meanwhile,
she has remembered the cosmetic surgery place. She asks the doctor to give
her a new face. The doctor is surprised because she is already beautiful
and nothing will make her more beautiful. She just wants a new face.
The doctor warns her that it will be painful and will take six months to
recover, but she still decides to go ahead, just for the sake of getting
a new face.
Friends invite Ji-woo to party with them. He joins them at a karaoke bar,
gets drunk, meets a girl. He doesn't want to have sex with her but she
drags him to a motel where they start having sex. Then someone
throws a stone at the window. The hotel manager kicks them out.
Then an old friend, a photographer, offers herself to him: she just broke
up with her boyfriend (or, better, he dumped her). She walks to the
ladies' restrooms and comes back a different person: she doesn't want to
see him anymore. Now he wants her but she refuses.
He takes a boat the sculpture park that was a favorite of
Seh-hee. A woman wearing sunglasses and bandage is on the same ferry.
They briefly play with a child. Then they meet again among the sculptures
but she mysteriously disappears.
He joins his friends again for another meeting with girls. They randomly
pick couples and Ji-woo ends up with the unattractive one. She is kind
and warm and tries to entertain him, but obviously he's not attracted.
At the end she finds a polite way to walk away and he feels bad.
A woman who is really in love with him is the new waitress at the cafe where
Seh-hee made a scene once. She tries in vain to get his attention.
On the ferry again he meets this very girl and gives her a ride to the
sculpture park where they spend a lovely afternoon. They make out in the car.
She has written a card for him that consists in the words "I love you"
superimposed over and over again. However, when a child delivers it,
he comes to believe that it is a message from his old girlfriend.
The waitress is amused but does not tell him the truth. However,
she tells him her name: See-hee, which sounds a lot like Seh-hee.
She has a temper comparable to the temper
of the old girlfriend and loses her job at the cafe over him. He looks for her
until she reappears. He cooks for her and cleans her apartment.
They make love but
she refuses to show him old pictures of herself.
She wants to know whether he still loves his old girlfriend.
It is now clear that she is her: See-hee is Seh-hee.
Eventually she starts resenting his love: he's cheating on her former self
by loving her current self. She starts crying bitter tears.
Eventually she leaves him a note signed by Seh-hee that she (Seh-hee) wants
to come back.
Ji-woo is torn but then decides that he loves Seh-hee better than See-hee
and tells her (See-hee) so. Now See-hee has a crisis because she feels that
Ji-woo only used her for sex while he was in reality in love with Seh-hee.
Same woman, split personality: if she identifies with her old self, she's
happy that he still loves her; if she identifies with her new self, she hates
him for loving "another" woman.
See-hee reacts the exact in the same way that the old Seh-hee acted: a massive
embarrassing scene at the cafe in front of strangers, then disconnect the
telephone and lock herself in her apartment. See-hee disappears.
Ji-woo goes to the appointment that Seh-hee has given him. He finds her
wearing a mask. It is See-hee wearing a mask of Seh-hee made from the picture
before the cosmetic surgery, the picture that she didn't want Ji-woo to see.
Realizing what has been going on, he is disgusted and leaves her (even getting
into a fight with another customer of the cafe).
She walks back to the cosmetic surgery laboratory, still wearing her macabre
mask. She tears the mask and walks out.
Ji-woo has guessed where the operation took place and arrives just in time to
see the torn mask on the floor.
Ji-woo invites the doctor to have a drink. Drunk, he retells the whole story,
then accuses the doctor and gets beaten even by him.
One month later Seh-hee is surprised to receive a package in the mail: they
are photos of Ji-woo undergoing the same cosmetic surgery to change face.
He is doing to her what she did to him.
Months later she is at the cafe, waiting for him to reappear, but she cannot
recognize him. She holds the hands of guys trying to recognize him from the
size and feel of the hand.
She almost gets raped by one of the guys she befriends, but someone beats him
up and then disappears. We now feel that
Ji-woo is following her the same way that we felt she was following him when
she had disappeared.
She is driven even crazier by not knowing which of the many men she encounters
is her Ji-woo. She sleeps with a photographer who was taking pictures of her
at the sculpture park, but he confesses that he is not Ji-woo. We, of course,
don't know whether he's telling the truth or simply torturing her.
Now she starts seeing him everywhere. She talks to random men at the coffee
house, she runs after men in the subway.
People stare at her like at a madwoman.
When a man is run over by a van, she hysterically senses that it must be Ji-woo,
but there is no way to prove it.
Ironically, she realizes that she is near the cosmetic surgery laboratory.
She walks in and demands a new surgery, to create a face that nobody will
recognize. When she walks out, we see the first scene again: a girl runs into
her and breaks her portrait...
The film then zooms out to show huge crowds in the streets: one of those women
is the new new Seh-hee. Then the film shows
the sculpture park submerged by the tide.
(Translation by/ Tradotto da Gabriele Di Siena
Shigan / Time (2006) è una folle storia
d'amore di una donna ossessionata, un caso patologico di una donna che non
riesce mai ad avere abbastanza amore. È anche una sorta
di thriller. Dopo che lei ha cambiato volto, percepiamo la sua presenza,
sospettiamo che sia dietro a strani eventi; ogni volta che lui incontra una
nuova ragazza ci chiediamo se sia lei quella che ha subito l’intervento di
chirurgia estetica. Poi il thriller è finito e siamo di nuovo nel territorio
della paranoia. La donna è soggetta a accessi di doppia personalità durante i
quali non può essere felice perché ha plasmato le sue due personalità
mettendole l'una contro l'altra: lui può amare o l'una o l'altra, e quindi una
delle due si sente tradita. Ha creato il “doppelganger” che la perseguita. Poi
il film diventa nuovamente un thriller, poiché l'uomo fa la stessa cosa: crea
il suo “doppelganger”, che si nasconde da lei. È anche una storia di vendetta
crudele, poiché a questo punto l'uomo vuole che la donna provi come ci si sente
a non sapere chi è chi. Alla fine diventa una meditazione filosofica sul tema
dell'identità, mentre la donna urla "Chi sei?" a tutti gli uomini in
Una donna sta subendo un intervento di chirurgia
estetica (mostrato in tutto il suo lato cruento). Quando esce, mentre il suo
nuovo viso è ancora nascosto da occhiali scuri e bende, una giovane ragazza che
è distratta dal suo telefono si schianta contro di lei e rompe il suo ritratto.
La donna si allontana mentre la ragazza promette di tornare e riparare il
ritratto. Quando la ragazza torna, prende il ritratto e si dirige verso il
caffè dove ha un appuntamento con il suo fidanzato Ji-woo. Seh-hee è una
ragazza pazzamente gelosa, che inizia a urlare alla cameriera e poi fa una
scenata imbarazzante di fronte a due ragazze attraenti. A casa ammette di
essere pazza. Lei cerca di farlo eccitare con del sesso orale ma non ci riesce.
Poi gli suggerisce di pensare a un'altra donna e lui si eccita. Poi ovviamente
inizia a piangere di gelosia. Il giorno dopo la ragazza è scomparsa: si è
trasferita dal suo appartamento e ha cancellato il suo numero di telefono. Lui
la cerca invano. Nel frattempo, lei ha ricordato il luogo della chirurgia
estetica. Chiede al dottore di darle una nuova faccia. Il dottore è sorpreso
perché è già bella e niente la renderà più bella. Lei vuole solo una nuova
faccia. Il medico la avverte che sarà doloroso e ci vorranno sei mesi per
riprendersi, ma lei decide comunque di andare avanti, solo per il gusto di
avere una nuova faccia. Gli amici invitano Ji-woo a fare festa con loro. Si
unisce a loro in un karaoke bar, si ubriaca, incontra una ragazza. Non vuole
fare sesso con lei ma lei lo trascina in un motel dove iniziano a farlo. Poi
qualcuno lancia una pietra alla finestra. Il direttore dell'hotel li caccia.
Poi una vecchia amica, una fotografa, si offre a lui: ha appena rotto con il
suo ragazzo (o, meglio, lui l'ha mollata). Va al bagno delle signore e torna
un'altra persona: lei non vuole più vederlo. Adesso lui la vuole ma lei
Lui sale su un’imbarcazione nel parco delle
sculture, che era uno dei preferiti di Seh-hee. Una donna che indossa occhiali
da sole e bende è sullo stesso traghetto. Giocano un po’ con un bambino. Poi si
rincontrano tra le sculture ma lei scompare misteriosamente.
Lui si unisce di nuovo ai suoi amici per un
altro incontro con delle ragazze. Le coppie vengono scelte casualmente e Ji-woo
finisce con quella poco attraente. È gentile e affabile e cerca di
intrattenerlo, ma lui ovviamente non è attratto. Alla fine lei trova un modo
educato per andarsene e lui rimane mortificato.
Una donna che è davvero innamorata di lui è la
nuova cameriera del bar dove Seh-hee una volta ha fatto una scenata. Lei cerca
invano di attirare la sua attenzione.
Sul traghetto incontra di nuovo questa ragazza
e le dà un passaggio al parco delle sculture dove trascorrono un bel
pomeriggio. In macchina si baciano. Lei ha scritto per lui un biglietto che
consiste nelle parole "ti amo" sovrapposte più e più volte. Tuttavia,
quando un bambino glielo consegna, lui arriva a credere che sia un messaggio
della sua vecchia ragazza. La cameriera è divertita ma non gli dice la verità.
Tuttavia, lei gli dice il suo nome: See-hee, che suona molto come Seh-hee. Ha
un carattere paragonabile a quello della vecchia ragazza e per lui perde il suo
lavoro al caffè. Lui la cerca finché non ricompare. Cucina per lei e pulisce il
suo appartamento. Fanno l'amore ma lei si rifiuta di mostrargli vecchie foto di
se stessa. Lei vuole sapere se ama ancora la sua vecchia ragazza. Ora è chiaro
che lei è lei: See-hee è Seh-hee. Alla fine inizia a risentirsi per il suo
amore: lui sta tradendo la sua vecchia sé amando la sua attuale sé. Lei comincia
a piangere lacrime amare. Alla fine gli lascia un biglietto firmato da Seh-hee
scrivendo che lei (Seh-hee) vuole tornare. Ji-woo è combattuto ma poi diventa
consapevole di amare Seh-hee più di See-hee e glielo dice (a See-hee). Ora
See-hee ha una crisi perché sente che Ji-woo l'ha solo usata per il sesso
mentre in realtà è ancora innamorato di Seh-hee. Stessa donna, doppia
personalità: se si identifica con il suo vecchio io, è felice che lui sia
ancora innamorato di lei; se si identifica con il suo nuovo io, lo odia perché
ama "un'altra" donna. See-hee reagisce esattamente nello stesso modo
in cui ha reagito la vecchia Seh-hee: una lunga ed imbarazzante scenata al bar
di fronte a sconosciuti, poi stacca il telefono e si chiude a chiave nel suo
appartamento. See-hee scompare.
Ji-woo va all'appuntamento che Seh-hee gli ha
dato. La trova con una maschera. È See-hee che indossa una maschera di Seh-hee
fatta con la foto di se stessa prima della chirurgia estetica, la foto che non
voleva che Ji-woo vedesse. Capendo cosa sta succedendo, lui è disgustato e la
lascia (litigando anche con un altro cliente del bar). Lei torna al laboratorio
di chirurgia estetica, indossando ancora la sua maschera macabra. Poi strappa
la maschera e se ne va. Ji-woo ha intuito dove è avvenuta l'operazione e arriva
giusto in tempo per vedere la maschera strappata sul pavimento. Ji-woo invita
il dottore a bere qualcosa. Ubriaco, racconta tutta la storia, poi accusa il
dottore e viene picchiato anche da lui.
Un mese dopo Seh-hee è sorpreso di ricevere un
pacco per posta: sono foto di Ji-woo che si sottopone allo stesso intervento di
chirurgia estetica per cambiare volto. Le sta facendo quello che gli ha fatto
lei. Mesi dopo è al caffè, in attesa di vederlo riapparire, ma non riesce a
riconoscerlo. Prende le mani di ragazzi cercando di riconoscerlo dalle
dimensioni e dalla sensazione della mano. Viene quasi violentata da uno dei
ragazzi con cui fa amicizia, ma qualcuno lo picchia e poi scompare. Ora ci
sembra che Ji-woo la stia seguendo nello stesso modo in cui sentivamo che lei
stesse seguendo lui quando era scomparsa.
Lei diventa sempre più pazza non sapendo quale
dei tanti uomini che incontra è il suo Ji-woo. Va a letto con un fotografo che
le stava scattando delle foto al parco delle sculture, ma lui le confessa di
non essere Ji-woo. Noi, ovviamente, non sappiamo se sta dicendo la verità o se
le sta semplicemente dando tormento. Ora lei inizia a vederlo ovunque. Parla
con uomini a caso al caffè, corre dietro a uomini nella metropolitana. La gente
la guarda come una pazza.
Quando un uomo viene investito da un furgone,
sente istericamente che deve essere Ji-woo, ma non c'è modo di dimostrarlo.
Ironia della sorte, si rende conto di essere vicino al laboratorio di chirurgia
estetica. Entra e chiede un nuovo intervento chirurgico, per avere un volto che
nessuno riconoscerà. Quando esce, vediamo di nuovo la prima scena: una ragazza
la incontra e rompe il suo ritratto ... poi il film zooma per mostrare
un'enorme folla per le strade: una di quelle donne è la nuova Seh-hee. Poi il
film mostra il parco delle sculture sommerso dalla marea.
Breath (2007) is a more conventional drama.
Dream (2008) is a mystery thriller highlighted by
Gi-tae Kim's cinematography.
Arirang (2011) is a
documentary made during a three-year self-imposed exile from narrative film.
Ahmen/ Amen (2011) is another experimental film,
shot mostly with a handheld camera, this time about a girl searching for her
boyfriend through Europe and being haunted by a rapist.
Pieta` (2012) is another poem of revenge, but this time in the form of
a morality play.
Despite the gruesome scenes of violence, this feels more like a kammerspiel
than an action movie: it mostly happens in narrow spaces and is mostly about
the psychological relationship between two characters, a
solitary sadistic loan shark of the slums and a
guilt-obsessed woman who wraps him in unconditional love.
The ending is weak, especially the pathetic scene of her committing suicide.
The whole plot is, in the end, implausible. Kiduk tries a bit too hard to
find the ultimate revenge.
A man in a wheelchair hangs himself with a chain controlled by an electrical
machine. Kang-do wakes up
and the first thing he does is to masturbate in bed.
In a small shop nearby a young man and his wife are frantically working
with machines that they bought on borrowed money, knowing that they cannot
pay back yet and that the punishment will be terrible. They beg in vain a
one week-postponement. Knowing what is about to happen, the machinist shuts down the
shop and decides to have sex with his wife but is rudely interrupted:
Kang-do has come to punish the man. The wife offers sex in vain. Kang-do
coldly ignores her and destroys the man's arm using an industrial press that
they bought with the loan.
The reason Kang-do cripples the man is that the man has been forced to sign
an insurance policy that will actually pay the debt.
Kang-do returns home and goes about his lonely quiet boring routine.
One day a woman shows up. She doesn't say a word but starts cleaning his
filthy apartment. He kickes her out. She camps outside. When he leaves the
house, she follows him and begs her to forgive her. She knows his name.
He slaps her repeatedly and she simply keeps asking for forgiveness.
Kang-do walks out to punish another customer who does not have enough money
to pay his debt. Kang-do does not care that the old sick mother is staring
and proceeds to beat him. Then Kang-do takes him to the upper story of
an unfinished building
(the man explaining in vain that there's nobody else to take care of his mother)
and throws him down to break his leg.
All the while the strange woman follows him without saying a word,
simply observing him.
Kang-do walks downstairs and checks the poor fellow's leg: noticing that the
leg is not completely broken, Kang-do grabs a stone and finishes the job.
As Kang-do is walking away, the victim shouts insults at him and the strange
woman kicks him where it hurts most telling him not to insult
her son... Later she brings food to Kang-do.
Another customer prefers to commit suicide rather than face Kang-do's
These are all poor people, who cannot make ends meet, who borrowed the money
hoping to improve their lives. Kang-do, in turn, seems to live only of their
money (and the money he makes out of their insurance policies when he cripples
The strange woman doesn't give up. Eventually he has to acknowledge that she is
indeed the mother who abandoned 30 years earlier,
Mi-Son (played by Jo Min Su/ Cho Min-soo).
She calls him and sings him the lullaby she used to sing him as a baby.
This time he lets her in, but he still does not believe her. In order to call
her bluff, he rapes her and enjoys her tears; but then lets go without finishing.
She lets her sleep in the apartment and the following morning she makes
breakfast for him. This time he's the one who stares speechless.
She doesn't even touch the food and leaves for his usual torture routine.
Kang-do's next victim is a young musician whose wife is expecting their first
child. Surprisingly, this young man is eager to be turned into a cripple because
he needs more money for his child, and he is happy to help increase the
insurance payout. Hence this time the victim stares boldly in the eyes of the
executioner instead of begging for mercy.
Indirectly, this musician teaches Kang-do what parents feel for their children.
And this time Kang-do leaves without harming his victim. But Kang-do doesn't
need to: the man does it to himself, determined to collect insurance money.
Back at home Kang-do finds his apartment clean and dinner ready.
Next up is an old man who candidly confesses that he never intended paying back
from the beginning. Kang-do follows him up a high-story building from where they
can see the skycrapers of downtown. We see a symphony of factory machines and
then the old man walking up the outside stairs while Kang-do is walking down:
the old man has decided to commit suicide and Kang-do is upset because death
complicates the process.
His mother is waiting for him at home.
He is beginning to have doubts about his pointless life.
They go out together, just mixing with the crowds and trying to have fun.
But a cripple who is begging in the streets recognizes him and follows them
home: he's the one who was humiliated in front of his mother and now wants
his revenge. She saves Kang-do from the cripple who wants to burn him alive
in front of her.
At night Kang-do has an erotic dream and she masturbates him without waking
One day she tells him that it is his birthday: obviously he has never
celebrated his birthday because he didn't know which day it was.
She spends all her time sewing a sweater and he thinks it's for him,
although it is a bit too small.
Now Kang-do has gotten used to her and realizes that he can't live without her.
Just then she disappears. She travels to another building and cries bitter
tears on a white trunk used like a casket, then she walks around and we see the wheelchair and
the chain of the first scene. Not knowing what happened to her, Kang-do fears
that his boss kidnapped her. But his boss knows nothing of it (and we learn
that his boss never told him to cripple people).
She comes back with a birthday cake and no mention of where she went.
Then she takes Kang-do to a place by the river and asks him to plant a tree
and also asks him to bury her there when she dies. He is horrified at the
thought that she might die.
Now she's playing with his feelings. She sends him to water the tree and then
calls him pretending that someone has broken into the house and is
attacking her. When Kang-do returns home, he finds the place turned into
a mess and no trace of her. Kang-do suspects that it might be the revenge of
one of his victims and goes door to door looking for them, but one is on
a wheelchair, one moved to another town and one is dead.
He even reaches the place where the man committed suicide with the
machine chain. His mother is inside but he cannot hear her.
She is sitting in the wheelchair and singing the lullaby.
Kang-do continues his manic search of the hell that he created, visiting more
of his victims, all of them reduced to extreme poverty, terrified of him but
Finally, he returns to the place where the man committed suicide with the
machine chain. This time he walks in and finds the
diary of the boy who committed suicide. The white trunk is empty but contains
blood stains. Exhausted, he sits in the wheelchair.
His mother comes out and starts insulting him. She never forgave him.
But either he cannot hear her or it is just a bad dream. Kang-do is asleep
in the wheelchair and two tears roll down his cheeks.
His mother, instead, walks to his boss' home,
slaps his boss repeatedly until he starts beating her back. Then she calls
Kang-do so that Kang-do can hear her scream, and then she coldly kills the man.
Next she walks to a multi-story building by the river where they planted
a tree: she is willing to commit suicide because she wants Kang-do to go crazy
seeing her die. She calls Kang-do and waits for him. While she waits, she
says that she is doing this to avenge her real son (probably the one who
committed suicide). When Kang-do arrives, she pretends that someone is pushing
her down. Kang-do begs cannot see that she is actually alone and begs the
imaginary attacker to let her go. She wants him to feel maximum pain.
Ironically a real attacker appears: the mother of one of Kang-do's victims,
who is ready to push his false mother down except that the woman jumps
for real. Kang-do, desperate, begins to dig a grave, and finds that there is
already a body buried there: the body of his false mother's real son, who is
wearing the sweater she was sewing.
This puzzling discovery presumably turns him crazy. In the last scene he is
lying on his back, tied to the truck owned by
the couple of the first crippling incident. The wife of the cripple gets into
the truck and starts driving it in the middle of the night, dragging Kang-do's
body on the asphalt, leaving behind a wake of blood on the highway.
The horror movie Moebius (2013)
The odd gangster-movie
One on One (2014) is unusually verbose.
Stop (2015) is a trivial take on the Fukushima disaster.
The Net (2016) is a political thriller.
He died at the end of 2020 of covid-19.
(Translation by/ Tradotto da xxx) |
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