Emily Martinez is a Cuban-born artist working with digital and networked media. Her recent practice and research interests examine the relationship between media, memory, and catastrophe; temporality and the digital archive; and nonrepresentational forms of subjectivity as they arise from within the multiplicities of narratives inherent to globally networked societies. She received her M.F.A. in Digital Arts and New Media from the University of California Santa Cruz in 2012. Currently lives and works in Los Angeles. For more information, please visit somethingnothing.me.

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Peter Foucault creates works on paper, videos, and installations that are fueled by his love of drawing and mark making. He has created a series of Drawing-Projects, which utilize systems developed by the artist that produce complex abstract compositions. At the root of these projects is a constant tension between control and the loss of control. Viewer interactivity plays an integral part in his drawing installations, large-scale artworks in which participants influence the outcome of a drawing that is created by a small robot over the duration of an event or exhibition. His work is concept driven, and often utilizes objects that reference printmaking and multiplicities. Foucault has participated in numerous exhibitions nationwide, with recent solo shows at K. Imperial Fine Art, Room Gallery, the SFMOMA Café and the Richmond Art Center (Richmond, CA). His work has been included in group shows at Room Gallery, the Torrance Museum (Los Angeles, CA), Marine Contemporary (Santa Monica, CA), the Smithsonian Institutes' Freer and Sackler Gallery, Kit Schulte Contemporary (Berlin, Germany), The University of Salford (Manchester, England), and The Orange County Center for Contemporary Art (Los Angeles, CA). Between 2007-2011 his artwork was included in the Art Now Fair Miami Beach, the Bridge Art Fair New York and Miami Beach, the AAF in New York, and the Scope Art Fair Miami Beach. His interactive robotic drawing installations have been presented at The NASA Aimes Research Center, The Lab (San Francisco), Robert Berman E6 Gallery (San Francisco, CA), the Seattle Next50 (Celebrating the 50th Anniversary of the Seattle Worlds Fair), and the Zero1 Art and Technology Fair (San Jose, CA). In 2010 Foucault received funding from the Creative Work Fund, and a grant from the City of San Jose Public Art Program, and in 2012 he was awarded grants from the City of Oakland's Cultural Funding Program, US Bank, and the Seattle Center Foundation. In 2013 he received a grant from the Zellerbach Family Foundation. Foucault has recently presented lectures at Stanford University, City College, San Francisco University and the SETI Institute (Mountain View, CA). In addition to his own practice, Foucault is the Co-Founder of the Mobile Arts Platform (MAP), a Bay Area based artmaking and curatorial team that creates interactive "pop-up" mobile exhibitions. Foucault's work has been reviewed in The San Francisco Chronicle, The SF Weekly (Pick of the Week), ArtWeek, Wired Magazine, Stretcher Magazine, and Artnet Magazine. In April 2009 his drawing Four Square was featured on the Cover of California Home and Design Magazine. Foucault's work is represented by K. Imperial Fine Art (San Francisco, CA) and Room Gallery (Mill Valley, CA). Selected works are available through the SFMOMA Artists Gallery, Micaela Gallery (Alamo, CA), Chandler Fine Art in San Francisco and Kit Schulte Contemporary in Berlin. He lives and works in Oakland, CA. For more information, please visit peterfoucault.wordpress.com.

Adam Carlin lives and works in Oakland, CA. He is co-director of Some Thing Spacious as well as the founder of Art Maker Avenue, center for visual and performing arts in Oakland, CA. He has a BFA in Sculpture from California College of the Arts and continues to curate exhibitions and create work within the expanded field of that discipline. Carlin works in Social Practice and New Media genres to re-define ideas of locality and to mediate contemporary ways in which we bridge between physical spaces around the world.
Some Thing Spacious is a shifting group of artist and curators led by Adam Carlin and Erich Richter. They have a central location at 2555 Broadway in Oakland, CA which functions as an art space, incubator, workshop, and residency. Some Thing Spacious currently is programing exhibitions that bridge the Oakland art community and the larger art world that we experience via online media. We describe this experiment as a form of six- dimensional activity; enabling artists to concurrently manifest multiple outcomes across spans of time and geography.* Six dimensional space in mathematics refers to objects as 3d, time as 4d, simultaneity as 5d, and possibility as 6d.

Erich Richter is a studio artist and curator with a background in computer science. He identifies himself as a sculptor in conversation, but refers to the practice in the broadest terms. His confrontational works are rooted in decades of craft practice including gold, silver, and blacksmithing, woodworking, and sculpture. He is also a wrestler, and studied composing and arranging at a conservatory in his home town of Los Angeles. He makes ob-jects; things that get in the way. The impulse has led me him literally paint his home off satellite maps using large canvasses, instigate viewers to recite the comments from online news face-to-face on a custom bicycle built for two, and make sidewalk poetry from news selections interpreted through an online translator. Recent work focuses on language, history, and the technological mediation of 21st century life. somethingnothing.me.

Ludovic DuChateau studied visual arts in Paris, France. He spent several years envisioning interactive 3D software using behavioral models, with human-computer interactions as a creative resource. He makes art that reflects on relationships between Western culture and everything it produces and controls, questioning what unites us mentally, physically and spiritually to the world. Conscience and emergence, cohabitating with our creations.

Carlos Castellanos is an interdisciplinary artist and researcher with a wide array of interests such as embodiment, cybernetics, ecology, phenomenology, artificial intelligence and art-science collaboration. He has received a National Science Foundation IGERT Fellowship in Interactive Digital Multimedia and was a California State University Sally Casanova Pre-Doctoral Scholar. His artworks have been exhibited at local, national and international events such the International Symposium of Electronic Art (ISEA), SIGGRAPH & ZERO1 San Jose. He is also a founding member of DPrime Research, an art-science nonprofit research organization. Castellanos is Assistant Professor in the Department of Art, Kansas State University. He holds a Ph.D. from the School of Interactive Arts and Technology (SIAT), Simon Fraser University and an MFA from the CADRE Laboratory for New Media, San Jose State University. Castellanos splits his time between San Francisco and Manhattan,

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OpenLab is a new research initiative at the University of California Santa Cruz. The OpenLab Network targets a complex education issue of national significance regarding the ability of art and science researchers to collaborate on research endeavors. The goal of the OpenLab Network is to help change the current status by providing shared research facilities and create a network for collaborative discourse fueled by academic communities, arts and science communities, and industry. The OpenLab Network project is currently pursuing the physical development of new collaborative laboratories on campus as spaces to foster this research and establish an on-line social networking system for faculty and students to create projects. Laboratories and studios in both the arts and the sciences will be accessible to users in the OpenLab Network. Within this immersive environment, we will conduct research to acquire skills and knowledge that crosses disciplinary boundaries between science, education, and the arts while sharing expertise in collaborative research methodologies. For more information, please visit artsresearch.ucsc.edu/openlab/.

OpenLab is a new research initiative at the University of California Santa Cruz. The OpenLab Network targets a complex education issue of national significance regarding the ability of art and science researchers to collaborate on research endeavors. The goal of the OpenLab Network is to help change the current status by providing shared research facilities and create a network for collaborative discourse fueled by academic communities, arts and science communities, and industry. The OpenLab Network project is currently pursuing the physical development of new collaborative laboratories on campus as spaces to foster this research and establish an on-line social networking system for faculty and students to create projects. Laboratories and studios in both the arts and the sciences will be accessible to users in the OpenLab Network. Within this immersive environment, we will conduct research to acquire skills and knowledge that crosses disciplinary boundaries between science, education, and the arts while sharing expertise in collaborative research methodologies. For more information, please visit artsresearch.ucsc.edu/openlab/.

Jennifer Parker is an Associate Professor of Art and Digital Arts and New Media at the University of California Santa Cruz. Her research is rooted in sculpture, interactive and kinetic art, and cross-disciplinary and collaborative research. Current and past projects explore new methodologies for art making that engage art and science thinking. She is co-founder and director of The OpenLab Network at UCSC and has been working with Barney Hyanes since 2008 developing the SonicSENSE interactive art platform. She has exhibited widely both nationally and internationally. Local venues include Yerba Buena Center for the Arts, SF Camerawork; The Lab; Gray Area Foundation for the Arts; Kala Art Institute; and ZER01:10SJ Biennial. For more information, please visit artsresearch.ucsc.edu/openlab.

Barney Haynes has been working in the fields of video art, performance, reactive installation, and interactive media for 30 years. In his art he has adopted an iterative approach to media making, recombining themes and industrial surplus into media machines that evolve and mutate.He is a Professor at the California College of Art in Interdisciplinary Studies, Sculpture, and Fine Art. He has received numerous grants, awards and honors, including but not limited to the California Arts Council Fellowship; University of California Institute for Research in the Arts (UCIRA), The Arts Research Institute, and the Gerbode Foundation Grant, CCA. His work has been exhibited throughout the Bay Area and internationally in the Czech Republic, Spain, the Netherlands, and throughout Germany. For more information, please visit ultrafuzz.net.