Texas bluesman Clarence "Gatemouth" Brown absorbed elements of country, cajun and jazz, while pitching his soft and fluid guitar phrasing against the backdrop of a big band: Boogie Rambler (1949),
Dirty Work At The Crossroads (1953), Okie Dokie Stomp (1954),
Just Before Dawn (1959).
Brown has also recorded country, cajun and jazz records.
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