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Maurice Williams, a vocalist from South Carolina, wrote a demented ditty over a Latin rhythm, Little Darlin (1957), for his original band, the Gladiolas, only to see it become a hit in the interpretation of Canada's Diamonds (but perhaps this was the only case in which the white cover improved the vocal arrangements over the black original), and then penned an even weirder hit over a Caribbean beat, , Stay (1960), with the Zodiacs, shocking the white masses with his almost self-parodying falsetto.
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