Few bands have wasted so much talent as Journey. A super-group formed by
three California veterans (guitarist Neil Schon and keyboardist Gregg Rolie
of Santana, Frank Zappa's drummer Aynsley Dunbar), Journey were famous even before they
recorded anything. Their debut album, Journey (Columbia, 1975), began
a series of best-sellers that turned Journey into a money-machine.
Neil Schon's shimmering guitar riffs propelled energetic and feverish
instrumental jams such as Kohoutek and Of A Lifetime
Their technical skills shine on
Look Into The Future (1976), that contains
Look Into The Future and I'm Gonna Leave You, and on
Next (1977).
Unfortunately, the music that came later was pedestrian pop-metal for
attention-impaired kids, the kind of AOR that would rule the airwaves.
New vocalist Steve Perry and the driving and melodramatic
Wheel In The Sky made Infinity (1978) the album of a
substantially different band. The same album also contains the ballad
Lights.
Evolution (1979), featuring Steve Smith (a Berklee School alumnus)
instead of Dunbar on drums and containing Lovin' Touchin' Squeezin',
and Departure (1980), containing Anyway You Want It,
led to Escape (1981), the commercial zenith of this phase,
adding Jonathan Cain's jazzy electronic keyboards to the mix.
Who's Crying Now, Open Arms and Don't Stop Believing
are even less original and more kitschy, leaning towards the format of the
late-night sentimental ballad. Stone in Love, however, contains
Neil Schon's best guitar solo.
Frontiers (1983), with Separate Ways and two more romantic
ballads (Faithfully and Send Her My Love), seemed to end the
story, but Schon, Perry and Cain reformed Journey to record
Raised On Radio (1986), yet another million-seller, with
their last choral heavy-metal, Be Good To Yourself, while another
yawn-inducing ballad (Only The Young) climbed the charts.
Schon, Cain and John Waite (former Babys vocalist) formed Bad English,
an equally (commercially) successful super-group that released
Bad English (Epic, 1989), with When I See You Smile and
Price of Love, and Backlash (Epic, 1991). But the quality
of the music got more and more trivial.
Perry, who had already debuted as a solo artist with
Street Talk (Columbia, 1984), which included Oh Sherrie,
resumed his solo career with
For The Love Of Strange Medicine (1994), which included
You Better Wait.
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(Translation by/ Tradotto da Gianluca Mantovan)
Poche band hanno sprecato altrettanto talento come i Journey. Supergruppo formato da tre veterani californiani (il chitarrista Neil Schon e il tastierista Gregg Rolie, entrambi membri dei Santana, il batterista di Frank Zappa Aynsley Dunbar), i Journey erano noti ancor prima di registrare alcunche'.
Il loro debut album, Journey (Columbia, 1975), fu il primo di una serie di best-sellers che resero i Journey una macchina da soldi.
I riff di chitarra scintillanti di Neil Schon diedero impulso ad energiche e febbrili jam strumentali quali Kohoutek e Of A Lifetime.
La loro abilita' tecnica e' evidente in Look Into The Future (1976), contenente Look Into The Future e I'm Gonna Leave You, e su Next (1977).
Purtroppo, la musica si trasformo' in pedestre pop-metal per giovani distratti, il tipo di AOR che dominava le radio.
Il nuovo vocalist Steve Perry e la trascinante e melodrammatica Wheel In The Sky resero Infinity (1978) l'album di una band differente.
Evolution (1979), con Steve Smith (della Berklee School) in luogo di Dunbar alla batteria e contenente Lovin' Touchin' Squeezin', e Departure (1980), contenente Anyway You Want It, condussero a Escape (1981), il picco commerciale di questa fase, con le tastiere elettroniche jazzate di Jonathan Cain in aggiunta.
Who's Crying Now, Open Arms e Don't Stop Believing sono ancor meno originali e piu' kitsch, orientate al formato ballata sentimentale da notte avanzata.
Frontiers (1983), con Separate Ways e due altre ballate romantiche (Faithfully and Send Her My Love) parve concludere la storia, ma Schon, Perry and Cain riformarono i Journey per Raised On Radio (1986), un altro disco milionario, con l'ultimo corale heavy-metal, Be Good To Yourself, mentre l'ennesima noiosa ballata (Only The Young) scalava le charts.
Schon, Cain e John Waite (in precedenza vocalist dei Babys) formarono i Bad English, supergruppo altrettanto (commercialmente) di successo che pubblico' Bad English (Epic, 1989), con When I See You Smile e Price of Love, e Backlash (Epic, 1991).
Ma la musica si fece sempre piu' banale.
Perry, che gia' aveva debuttato da solista con Street Talk (Columbia, 1984), che includeva Oh Sherrie, riesumo' la sua carriera con For The Love Of Strange Medicine (1994), che includeva You Better Wait.
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