(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )

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Florida's Cavity played super-doom-metal that harked back to the Melvins. They did not compete with Earth (nor with Boris) because they preferred short pieces. They also were more catchy than the average doom band, despite the massive riffs and drumming explosions. After Human Abjection (1995) and Somewhere Between The Train Station And The Dumping Grounds (1997), they reached the zenith of their art with the EP Laid Insignificant (1998) and their third album Supercollider (1999).

On The Lam (2001) refined their brooding hybrid of pop, metalcore and doom-metal but failed to deliver a standout song.

Cavity's vocalist-guitarist Anthony Vialon and Cavity's drummer Henry Wilson went on to play in Floor.

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(Copyright © 2006 Piero Scaruffi | Legal restrictions - Termini d'uso )
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