Jacques LuCont ("Stuart Price")'s project Les Rhythmes Digitales led France into
the age of acid-house with Liberation (1996), while
Darkdancer (2000) veered towards the sound of Daft Punk.
Lucont's Zoot Woman is, instead, a far less ambitious (and entertaining)
project of old-fashioned dance-pop. Living in a Magazine (2001)
was an affectionate tribute to the age of synth-pop, but
Zoot Woman (2003) is only a shameless imitation of the sound of the
1980s, no matter how technically sophisticated.
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