Los Angeles' Dum Dum Girls, fronted by Kristin "Dee Dee" Gundred and featuring
drummer Frankie Rose of the
debuted with the punk-pop of I Will Be (Sub Pop, 2010), overall
an infusion of jovial adolescent fun into an antiquated format.
Past the pretentious dark dance elegy It Only Takes One Night, the
band gets existential in
Bhang Bhang I'm A Burnout (oddly reminiscent of U2's I Will Follow)
and the breathless rigmarole of Jail La La, that borrows the hooks and harmonies of the sunny uptempo 1960s.
The band can rock out, as they do in the
Indian-tinged distorted garage rave-up Oh Mein M
and in the breezy and mildly psychedelic I Will Be.
They can also fall into catatonic dejection, as they do in the
cuddlecore ditties Rest Of Our Lives and Blank Girl.
There was nothing revolutionary. In fact, the whole project was clearly
sitting on flaky foundations. They made the mistake of taking themselves
seriously on the EP He Gets Me High (Sub Pop, 2011), with the naive
Wrong Feels Right and the aggressive
He Gets Me High.
The four-song RP
He Gets Me High (Sub Pop, 2011) also contains the exuberant
Wrong Feels Right.
Suddenly morphed into a Chrissie Hynde
soundalike, Kristin Gundred mastered the
six-minute martial slocore ballad Coming Down
but suddenly revealed weakness in
the rockers (Bedroom Eyes, one of their catchiest numbers,
Just a Creep, Teardrops on My Pillow) on
Only In Dreams (Subpop, 2011), featuring new drummer Sandra Vu.
The Dum Dum Girls adopted a much mellower sound on
the EP End of Daze (2012), sandwiched betweena
shapeless pop tune like I Got Nothing (reminiscent of
the many Belinda Carsliles of pop muzak)
and the waltzing romantic Mine Tonight.
Best is the dejected litany Lord Knows, that borrows the tone and
part of the melody from the
Velvet Underground & Nico.
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