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English dance combo
Everything Everything followed the singles
Suffragette Suffragette and Photoshop Handsome with
Man Alive (Geffen, 2010).
Their dizzy and unorthodox arrangements sound awkward and pretentious at times,
but occasionally achieves the profound and baroque grandeur of
Yes.
The frenzied vocal harmonies and convoluted rhythm of My KZ Ur BF
sketch the general project of songs that pivot around poignant
chanting and bombastic rhythm, an idea that recurs in Final Form and
that is pushed to its extreme consequences in
Two For Nero for harpsichord and ethereal vocal harmonies.
They don't fare too well when they mimick
falsetto soul in Leave The Engine Room
or church hymn in Nasa Is On Your Side.
The punkish Qwerty Finger that recalls early XTC is too little too late.
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