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German house producer Rajko "Isolee" Mueller had a hit with Beau Mot Plague (1997) and spearheaded "microhouse" (a fusion of glitch aesthetic, minimal techno and house music) with Rest (2000).

Wearemonster (Playhouse, 2005) is less enjoyable but more faithful to the microhouse dogma of subtle micro-events rather than grandiose orchestration. The idea is particularly successful in the Giorgio Moroder-ian retro-acid tour de force of My Hi-Matic (the standout), the dubby Enrico, the bluesy Schrapnell, the cosmic Pillowtalk.

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