(Copyright © 2006 Piero Scaruffi | Legal restrictions )

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New York's trio Peeesseye or PSI (keyboardist Jaime Fennelly, guitarist Chris Forsyth and drummer Fritz Welch) debuted with the free-form noise collage of Artificially Retarded Soul Care Operators (Evolving Ear, 2006), credited to PSI, and the demented cacophonous montage of the 31-minute piece of the mini-album Oo-ee-oo (Burnt Offering) (Evolving Ear, 2006), pivoting around a guitar and a harmonium, this time credited to Peeesseye, but then turned to folk and noise music with Commuting Between The Surface & The Underworld (Evolving Ear, 2006) and Mayhem In The Mansion, Shivers In The Sack (Evolving Ear, 2008). Pestilence & Joy (2010) was the most indulgent of the series.

Jaime Fennelly and Chris Forsyth of PeeEssEye were also active as Phantom Limb, notably with the 30-minute free-jazz jam Hot Ginger (aRCHIVE, 2006) with Japanese guitarist Tetuzi Akiyama.

Peeesseye's guitarist Chris Forsyth also released For Linc & Abha (1998), The_Who Had Begun His Career (2003), Black American Flag (2004), Golden Showers/Catastrophe of the Infinite Regress (2004), Artificially Retarded Soul Care Operators (2005), Live Journal At The Mice Machine VIP Dance Floor (late 2007), Dirty Pool ( Ultramarine, 2009), a collaboration with keyboardist Edward Hansen, Dreams (recorded between 2007 and 2009), with Hansen again on sax and Nate Wooley on trumpet, Paranoid Cat (Family Vineyard, 2011), with a roots-rock band, Kenzo Deluxe (Northern Spy, 2012), etc. Forsyth also recorded guitar duets with Ernesto Diaz-Infante: Left & Right (august 1999), Wires And Wooden Boxes, March (2002) and As Is Stated Before Known (2003).

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(Copyright © 2006 Piero Scaruffi | Legal restrictions )
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