By the mid-2000s, hyperdoom-metal had become a genre in which the musicians did
not matter much.
(Kansas-based guitarist Thomas Lee) took that fact to its extreme consequences by almost letting the guitars play (or, better, "drone") by themselves on Pure Agitator (Invisible Generation, 2006), scored for a guitar and amplifier. If the former album was merely a rotting corpse, Live Young Die Fast And Leave An Exquisite Corpse (Utech, 2007) was actually alive, breathing and moving, the drones undergoing a metabolism of their own while the "music" played.
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