(Clicka qua per la versione Italiana)
Ohio's duo
Twenty One Pilots, vocalist and keyboardist Tyler Joseph and drummer Josh Dun,
debuted their catchy brand of keyboard-based rock on
Twenty One Pilots (2009) and Regional at Best (2011).
Vessel (Fueled by Ramen, 2013), that collects material from those
self-released albums too, became famous for the arena-pop
Ode to Sleep, but most songs rely on a more complex interplay of
multiple vocals styles (even within the same song, as in the masterful
Holding on to You)
with an effect that sometimes borders on
Queen-ish
musichall (Migraine, Semi-Automatic).
Sheer melodic exuberance pervades the
jovial country-rock singalong of House of Gold
and the hazardous synthesis of
synth-pop, hard-rock and bubblegum-pop that is Guns for Hands.
The range of formats is wide, from operatic power-ballad to the thumping house music of Trees.
They became stars thanks to the single Stressed Out, off
Blurryface (2015) that has failed attempts to cross over into
reggae, dubstep and techno and generic radio-friendly songs like
the childish hip-hop of Heavydirtysoul,
the ukulele-driven We Don't Believe What's on TV,
the synth-pop ditty Hometown and the ballad Goner.
They made an impressive u-turn on the dark and introspective
Trench (2018), a stronger artistic statement that excelled at
ethereal pop-soul ballads like Bandito and
Neon Gravestones, certainly their most atmospheric work.
Following the dance-pop single Level of Concern (2020),
Scaled and Icy (2021) was a massive disappointment, a collection of
trite second-rate melodies.
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