VHS Head, the moniker used by British producer Ade Blacow,
produced dancefloor-oriented collages of 1980s music on
Trademark Ribbons Of Gold (2010), notably
The Murder Cycles and Sunset Everett;
but too many are incredibly trivial and in any case
this is nothing groundbreaking for 2010.
The idea was reprised for the
double-LP Persistence Of Vision (Skam, 2014), this time with
(Enter The Devil, Gas Human No 1,
Red Ocean Apocalypse)
and with a bombastic quasi-metal production (Camera Eyes,
Tracking The Moon Beast).
Again, nothing that hasn't been done before, and half the album (especially in the second half) is just filler.
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